9 Nov

Justice should be easy to define. Fair. Equal. Those are terms we grow up hearing from pre-k. And justice for all caps the pledge that we recite from elementary school.

But the favored learn late what the unlucky learn early: Justice isn’t easy to embody or define. It’s not black or white, wrong or right. Instead it lives in hues of gray.


It’s conditional. It alters itself based on the parties involved and shape shifts to serve some more than others. Because it’s manned by humans–each bringing his or her own set of flaws, biases and assumptions to the system.

Last month, I was one of dozens of artists who signed up for the task of depicting Justice in an original creation. My thought process? Try to capture the complexity of Lady Justice’s job. I used the traditional image of Blind Justice but depicted her seated and awkwardly balancing the scales, struggling to maintain the appearance of fairness. I wondered how she would see the shootings? Justified? Or misguided? I used relevant newspaper and magazine clippings, play money, ribbon, buttons and bubble wrap to capture the internal struggle she would face.

The bubble wrap was my favorite part. To me, it represented the recent obsession with the sanctity of the flag and using it to cover up any criticism of the country in general. The Kaepernick kneel was a response to the injustice faced by communities of color at the hands of rogue or biased members of the justice community: bad biased cops who took justice into their own hands and justified it by using the age-old fear of the unknown. Bad fatal decisions based on prejudices that screwed perspectives and justified the unjustifiable. Beneath each bubble wrapped stripe is a question about the parity of these situations. It shows no matter how much we may want to sweep the issue under the rug, under the purity of the red, white and blue, it’s there, like a stain.


All Seats are not created equal

5 Nov

Chris is obsessed with anything Marvel or DC Comics. And his obsession has become my own. Haha. “Thor Ragnarok” was the highlight of our week. We arrived about an hour early on Thursday evening to one of few movie theaters without pre-selected seating.


We selected the perfect seats: Front and center with extra leg space thanks to some railings strategically placed in front. There was an empty seat to my left and one to his friend’s right.

About 10 minutes before the commercials start, we were asked by a pair of young ladies if we would be willing to slide over one seat so they could sit together in the left over seats.

Here’s the problem. Shifting over affected nobody but me: moving one seat over meant I had less leg space and had to fight for an arm rest with s stranger. I was not a happy camper.

Chris saw my face. And immediately explained unfortunately no, we wouldn’t be able to move, but could take the open seats. They found a pair of seats offcenter the row below.

When I glanced around, there were seats all over the place. There was a pair of vacant seats directly behind us to the right. Why on Earth, I wondered did they feel it was fine to inconvenience three people so that duo could have one of the best seats in the house?

Now, I didn’t own this seat. I paid the same amount of money–well Chris paid the same amount of money–for my seat as the girls did. I merely borrowed it for the length of the movie. But for that two hours it was mine. Muahahaha.

I realized then, in that span of time, how unapologetically possesive I could become.

How much more would I fight for something I actually owned, that I felt I had a vested interest in: a seat at the proverbial table? Like the pair, I want great seat at the proverbial table: one with a perfectly centered view, extra leg space, and free armrests.

Mint, Rosemary and Basil

29 Oct

I’ve always wanted a garden. When I was a kid, I begged my dad to let us plant flowers. When he conceded, I happily tended to the plants for about a week until I realized how much work it entailed. Long story short, the flowers became my dad’s responsibility while I forgot about them in search of some other interest.

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Painting Pumpkins

29 Oct

20171021_160703Paper towels, wet wipes and water were the stars of this year’s pumpkin paint party. It should come as no surprise. Whether for paint-coated hands, hair or chairs (yikes), the all stars of cleanups are essential anytime the primary guests have yet to meet puberty. This wasn’t my first rodeo: It was my seventh.

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All That Glitters. . .

20 Aug

g%20Simone-Biles_gymnastics-ornamentPizza, fries and quality time with Zach Efron: that was all the most winningest gymnast craved after clinching her fourth Olympic gold medal on Tuesday. In a post-performance interview, she teased Olympic partner-in-crime Aly Raisman for wanting to nap instead. If Michael Phelps was the Olympics’ king, this year Simone Biles proved to be its queen, toting four gold medals and a single bronze back to the States. But as she dazzlingly vaulted, tumbled and body rolled her way into Olympic stardom, another Final Five teammate’s sparkle flickered. Continue reading

Returning Roger Enrico’s Investment

5 Jun

15530_817603988040_7446985245473508698_nOn Thursday morning, I received a tough text from my favorite high school teacher: Roger Enrico, the man who had put me and countless others through college, had died. The timing was uncanny. He was scheduled to have breakfast with me and about eight fellow Enrico scholarship recipients in Dallas on tomorrow, Monday morning. I poured over the articles in “The New York Times”, “Adweek” and “Wall Street Journal.” They all praised his legendary career and philanthropy. But that only scratched the surface.   Continue reading

Zoe: Blue, Green and Regular Black

1 Apr


Last night, my guy and I watched “Drumline”. We laughed as quotes about “hot butter biscuits” and “one band one sound” slid off our tongues and marveled over the young Nick Cannon and Zoe Saldana in the 13-year-old film.

“She hasn’t aged a bit,” he awed. It’s true. The love interest with the faint accent and hint of spice looked exactly the same. Same slender dancer frame, same big doe-like eyes, same slightly jutted chin. In hindsight, one can say that chin alone signaled her refusal to let her role in “Drumline” be her hit, her determination not to be relegated to the cinematic cemetery so many promising “Blacktresses” get buried alive in.

Who knew the fresh-faced dancer would one day defy color and culture to reach audiences far beyond even Cannon’s grasp? Continue reading